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By Henry Oldenburg, Rupert A. Hall, Marie B. Hall

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From Publishers Weekly
Although W. B. Yeats's participation in seances and spirit manipulation is widely known, critics are inclined to brush off this as peripheral to his writing. now not so, in response to Surette, an English professor on the collage of Western Ontario, who perspectives Yeats's poetry as steeped within the occult. a thorough revision of the traditional interpretation of literary modernism, this scholarly, tricky learn argues that Ezra Pound used to be as completely imbued with the occult as Yeats used to be. Pound's mentors incorporated Yeats and A. R. Orage, a London occultist and Nietzschean from whom Pound imbibed Madam Helena Blavatsky's theosophical knowledge. In Surette's studying, Pound's Cantos articulate a theosophical imaginative and prescient of historical past. Surette is much less winning in becoming T. S. Eliot into his overarching thesis that modernism has roots within the occult. He detects pagan, gnostic and Hindu resources in Eliot's The Waste Land , which he reads as an anguished exploration of non secular doubt.
Copyright 1993 Reed enterprise details, Inc. --This textual content refers back to the Hardcover edition.

From e-book News
In an intensive revision of the normal view that literary modernism belongs to 20th-century medical materialism and that the mythological parts in such modernist works because the Waste Land and The Cantos are in simple terms factitious units, Surette files the origins of modernist aesthetics within the occult, displaying that Pound's early intimacy with Yeats used to be dependent mostly on a shared curiosity within the occult sciences, and that The Cantos is a deeply occult paintings. Annotation copyright publication information, Inc. Portland, Or. --This textual content refers back to the Hardcover edition.

Review
"Surette's examine may be a debatable paintings of literary heritage, however it is person who merits admire for its wide-ranging scholarship, its wit, and the considerate subtlety and reticence with which he offers his demanding thesis. " E. F. Harden, selection. "A stable e-book on a superb subject matter. it may, and should, modify the way in which we learn the twentieth century. " Chris Scott, The Ottawa Citizen.

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